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Found object<\/strong> (from the French objet trouv\u00e9), found art, or ready-made (term coined by Marcel Duchamp)<\/p>\n The primary principles of the Dada readymade philosophy were to 1.) choose an object, a creative act in itself; 2.) cancel that object’s familiar purpose by presenting it not in its usual functionary role but as a work of “art”; and 3.) add a title to it that potentially provoked a new thought or meaning. Artist as curator \/ curator as artist \/ artist as archivist –<\/strong> common trends in contemporary art<\/a>.<\/p>\n The many artist surf clubs<\/a> <\/strong>in the early 2000 that became hotbeds for a generation of digital artists. Are there still such places?<\/p>\n The semantic shift of the word curation<\/strong> to signify the more mundane filtering and classification of culture especially in a social and digital environment (ie content curation) For this assignment let’s embrace this collapse of roles and contexts, and see how artists have reacted to the proliferation of vernacular content on the internet.<\/p>\n Working On My Novel<\/a> by Cory Arcangel (2014)<\/span><\/p>\n Also see: Sorry I Haven’t Posted<\/a> (2010)<\/span><\/p>\n EVERYTHINGIVEEVERWANTEDTOKNOW.COM<\/a> by Martine Syms (2007)<\/span><\/p>\n <\/p>\n I\u2019m Google<\/a> by Dina Kelberman (2011-)<\/span><\/p>\n <\/p>\n https:\/\/joshbegley.com\/<\/a><\/p>\n <\/p>\n <\/p>\n Iraq War Wikihistoriography<\/a> by James Bridle (2010)<\/span><\/p>\n <\/p>\n How to get rid of the homeless<\/a> by Matteo Bittanti (2015)<\/span><\/p>\n <\/p>\n 9 Eyes by Jon Rafman<\/a> (2008-)<\/span><\/p>\n <\/p>\n barelyLegal<\/a> by CH2 (2015)<\/span><\/p>\n <\/p>\n Postcards from Google Earth<\/a> by Clement Valla (2011-2013)<\/span><\/p>\n <\/p>\n The virtual watchers<\/a> by Joana Moll and C\u00e9dric Parizot (2017) <\/p>\n Shanzhai lyric<\/a> by Ming Lin and Alexandra Tatarsky (2015-) Cloaque.org\u00a0<\/a>by Carlos S\u00e1ez and Claudia Mate (2012?-) Default filename tv<\/a>\u00a0by Everest Pipkin (2019)<\/span><\/p>\n <\/p>\n Three approaches to meme curation and archiving:<\/span><\/em><\/p>\n Meme Manifesto<\/a> – the Iceberg by Clusterduck (2021)<\/span><\/p>\n <\/p>\n Great wall of memes<\/a> by Valentina Tanni (2012)<\/span><\/p>\n Online culture wars<\/a> by Disnovation (2018-19)<\/span><\/p>\n <\/p>\n The library of missing data sets<\/a> by Mimi Onuoha (2016)<\/span><\/p>\n Trevor Paglen – Code names<\/a>
\nUnder the readymade light, an artist became a “chooser” rather than “maker.”<\/p>\n![\"\"](\"http:\/\/mycours.es\/digitalmedia\/files\/2022\/08\/CPNH-portrait-22inch_crop_sm-1024x683.jpg\")
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\nEveryone\u2019s a Curator Now – When everything is \u201ccurated,\u201d what does the word even mean?<\/a> NYT<\/p>\n![\"\"](\"http:\/\/mycours.es\/digitalmedia\/files\/2022\/08\/working-on-my-novel-2012-037-full-02-database-ih.jpg\")
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\n<\/span>https:\/\/thenewinquiry.com\/the-virtual-watchers\/<\/span><\/a> (article)<\/span><\/p>\n![\"\"](\"http:\/\/mycours.es\/digitalmedia\/files\/2022\/08\/Image-7.png\")
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\n<\/span>https:\/\/shanzhailyric.info\/<\/span><\/a>
\nTalk<\/a><\/p>\n![\"\"](\"http:\/\/mycours.es\/digitalmedia\/files\/2022\/08\/Image-16-1024x545.png\")
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\n*it’s more of a collaborative collage \/ exquisite corpse than a curated collection or archive<\/em><\/p>\n![\"\"](\"http:\/\/mycours.es\/digitalmedia\/files\/2022\/08\/Image-9-1024x630.png\")
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\nClassified military programs names from (2001-2007).<\/p>\n
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