Make a low poly model and turn it into a papercraft mask.
Think of it as an artifact for a modern day ritual or ceremony.
What if in our (your) society people wore masks as clothing accessories? How would they look like depending on the social context?
– The title should be “A mask for ___”
– You will have to texture it through texture painting plus any other texturing techniques
– It can be full face, half-mask (mardi gras style), or even wrap around the head (trickier)
– Try to stay under 100 triangles, you’ll have to cut or fold all these edges
– Since we are printing, the texture should be high definition, 4K (4096 x 4096)
– The UV should make the best use of the area of the texture
– Export as A4 (8.3 x 11.7) or A3 (11.7 in x 16.5 in) with textures
– Triangulate your model to make sure there are no twisted faces
– Merge vertices by a small distance to make sure there are no zero length edged
– It should be a one sided mesh since it’s for print
– We are in art school, it has to be an original creation, not an existing character (fan art) or something already available in a million variations (paper fox mask)
A few important things about making models for paper crafts
You can download these 3 Base meshes you can use as a starting point for your mask or as an anatomical reference to make something that can be actually work but a human.
How to trick Procreate to work with 4K textures
Blender to procreate workflow
Using materials in procreate
Texture painting in Procreate:
Low poly (only now we use this term) originally as a necessity.
Lara croft circa 1996 vs a more recent one.
To me low poly means: every vertex makes a difference, you don’t try to hide the geometry to create the illusion, rather you embrace the technical limitations. Compare with pixel art.
PS2 could render more detailed worlds, but not as crowded and dynamic:
Today as a style (flat shaded/unlit)
Or combined with mode modern rendering technologies
As an economy strategy for small budget indie game
Or an uncanny stage between symbolic games (mario) and convincingly realistic ones.
Each of these traditions could be the subject of a whole course.
Let’s briefly think about different uses of masks across cultures and history.
Mesolithic deer antler frontlet
It has been suggested that the hunters used the frontlets as disguises so they could influence the movements of the red deer and trap them without panicking them. Another explanation is that they were used in ritual dances to bring about a successful hunt or in celebrations after a successful hunt. more
“The transition from an economy based on hunting and gathering to ancient agriculture and domestication of plants and animals was accompanied by a change in social structure and a sharp increase in ritual-religious activities”
Kuba (Bushoong subgroup). Mask (Pwoom Itok), late 19th century. Today’s Congo.
“This mask may have represented a wise older man at boys’ initiations.”
Hemba Mask, 20th century. Democratic Republic of the Congo.
“masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood”. Lines representing tears for the loss of the elders.
Kwakwaka’wakw artist, Eagle Mask closed, late 19th c., from Alert Bay, Vancouver Island,
Kwakwaka’wakw artist, Whale Mask, 19th c., from Alert Bay, Vancouver Island
Northwest Coast Native American Transformation masks.
These masks usually depict an outer, animal visage, which the performer can open by pulling a string to reveal an inner human face carved in wood to symbolize the wearer moving from the natural world to a supernatural realm. Northwest coast peoples generally use them in potlatches to illustrate myths, while they are used by Alaska natives for shamanic rituals.
Careto mask from Portugal
The caretos appear in groups, running chaotically through the village to harass the young women. The careto during this time is effectively granted immunity from the rules of decorum. He can violate social norms with impunity, as he is considered the manifestation of a supernatural spirit.
Think about the times you wore a mask (performance, LARP, trick or treating, bank robbery, KKK gathering).
How did it make you feel? How did it change your voice, attitude, posture?
Design a mask that allows the wearer to become something or somebody else.
Hudoq is a masked dance performed during Erau harvest thanksgiving festival of many of sub-groups of the Dayak ethnic group of East Kalimantan province, Indonesia
Hudoqs are thirteen crop-destroying pests, including rats, boars, leopards, and crows.
Yoruba Gelede mask. West African countries of Nigeria and Benin, mid 20th century
The Yoruba believe that older women have powers equal to or greater than the gods. These masks are used in celebrations to honor older females and to show their importance. Worn like a headdress.
More pictures in context (tourist source)
Mask (Mukudj) Ashiru, Punu, or Lumbo. Gabon Central Africa. Late 19th/early 20th century
Known as mukudj, these masks appear in masquerades during funeral celebrations and other events of importance to the community. The masked male dancers, wearing a fiber costume over stilts, perform a variety of movements and acrobatics requiring extensive training.
The white, serene faces on the masks represent peace and the afterlife.
Mycenaean Death Mask, 1650 BCE. Mycenae, Greece
The masks were likely direct representations of the deceased, symbolizing a continuation of the dead’s identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased. The masks were not found on all the bodies inside the grave site, indicating that those who had them were of special status, and that the golden masks are a form of conspicuous consumption.
Design a mask for a special occasion or a modern ritual.
Portrait Mask (Gba gba) Baule peoples (Ivory Coast). before 1913
“Designed as part of a Baule theatrical tradition, known as “Mblo,” that combines dramatic skits and solo dances, this mask is an idealized representation of the prominent member of the community for which it was sculpted”
Crucial influences for many cubist and modern artists
Another Baule mask, from the goli dance
The hannya (般若) is a mask used in Japanese Noh theater, representing a jealous female demon.
There are about 60 types of masks
They are made not to express any feelings clearly, so a mask can express anger in a moment and satisfaction in another.
Tilts up a little bit gives an impression of a subtle smile and tilts down a little bit gives an impression of sadness.
Barong Ket, Bali, 2012.
Barong masks are some of the most important cultural artifacts in Bali. The Barong is a mythical beast that purifies and protects the village. The mask itself is a sacred object of worship and usually kept in a temple. Barong masks are taken out to perform dances and ceremonies on major holidays, most notably the Kunti Sraya, or Barong Dance. That dance recreates a contest between good (represented by the Barong and its followers) and evil (represented by the goddess of death, Rangda, and her followers).
If you want to design a character for this assignment start with the features and personality. Are there archetypes you can start from?
What would this character say/want/sing/complain about/advocate for?
What’s their Myers-Briggs type (cw pseudoscience)?
A good starting point to discover traditional masks from all over the world:
Find a mask that piques your interest and research its cultural context.
Post your findings in #assignments